Wednesday, 17 December 2014

Music Magazine Primary and Secondary Audience Research


To research my primary audience I designed a survey on a website and posted the link to my Facebook page. The survey will allow me to collect the results and see what the primary target audience actually look for in the music magazine. I will be able to base my Cover on the results I gather.
 
The results from my first question show me that out of the 10 people that took my survey 60% are between the ages of 15-19, these results compliment my target audience as my target audience is 15-24 year olds. This means that the results I get from the survey will be relevant as the age of the people taking it were mostly the correct age for my primary target audience.


The results from my second question show that the genders of the people that took that survey are equal, this shows me that I will need to make the magazine appeal to both genders by using gender neutral colours and language.


My third question is about the household income. The results are very distributed but shows the majority of people that may read the magazine are of a average-high income background and so might be more inclined to actually purchase copies of the magazine. 


The fourth question I asked is about the ethnicity of the 10 people that took my survey. The majority of the people were white/caucasian but there were two people that weren't.  This shows me that the majority of people that will read my magazine will be White and British so I can put content that is mainly for white and British people, where as if I has a group of people with a with a wider group of ethnicities I would have to use content that is interracial.



The fifth question is asking what the people's sexuality is. The results show that 7 of them are Heterosexual and 2 of them were Homosexual and 1 was Bisexual. This means that my target audience will most likely be majorly Heterosexuals, but there will still be people with other sexualities. 


My sixth question is asking what music genre they prefer, the results show that the audience enjoy a wide range of genres but the results that tied were Indie/Alternative, R&B and Folk. This means that I will probably have to chose one of those genres as they got a higher number of people.


The seventh question asks what from the cover will make them want to buy the magazine. The majority chose 'The subtexts for the articles inside' which is the writing that is usually found around the main image that suggests the articles inside. This means I should concentrate on making the sections of text on my front cover very clear and appealing.


My eighth question asked what colours will work the best of the music magazine. The results I got were mostly pointing towards a black, white, grey and red colour theme due to them being chosen the most.


My ninth question asked how much they would be willing to pay for the magazine. The results show that the majority of the people would be willing to pay 51p to £1.00 for the music magazine. This would mean that the money earned from the magazine could be put towards keeping it high quality.


The last question asks What is most important in the magazine and the most picked answer was the contents. This means that the contents of the magazine must be of a good standard and must be very high quality to allow the target audience to want to purchase the magazine.

Secondary Audience Research

Halls and Holmes said in 1998 that “Any media text is created for a particular audience and will usually appeal most to this particular target audience." This means that to sell a media product to an audience, you would need to know about who the audience is to allow you to target them appropriately. 

During my research I found that it is important to profile audiences and to evaluate the audience demographics. To do this you need the following questions answered to find who you're targeting the product to:
1) What social class will the primary target audience fall under?
2) What gender is the primary target audience?

3) What age will the primary target audience be?

4) What nationality will the primary target audience be?

5) What values do the primary target audience have? 
5) Audience appeal - what will the primary target audience be looking for in a film?

Uses and Gratifications Theory-  understanding why people seek out specific media outlets and content for gratification purposes. The theory speaks about how users search for media that will not only meet a given need but enhance knowledge, social interactions and diversion.
It says that members of the audience are not passive but take an active role in interpreting media into their own lives. The theory also says that audiences are in charge of choosing media to meet their personal needs. 

Blumler and Katz’s uses and gratification theory suggests that media users play an active role in choosing and using the media. Users take an active part in the communication process and are goal oriented in their media use. The theorist say that a media user seeks out a media source that best fulfils the needs of the user. Uses and gratifications assume that the user has alternate choices to satisfy their need.

Audiences- There are two main types of audiences that are found. The first is called a Mass Audience and is a large mainstream audience who consume mainstream and pop culture. The second is a Niche Audience which is smaller than a mass audience but influential to the mainstream culture. The Marxist theory would claim that the Mass Audience is made up of the 'working class' who have less power than the upper classes so tend to just follow mainstream and pop culture, where as the Niche Audience is made from upper classes because they have more control and power over the media. I think my audience would be partly Niche and party Mass because it is not completely aimed at the pop culture, however the mainstream popular thing recently seems to be quite indie and alternative.

The key representation theories I found also helped me to figure out how to represent the target audience. 
Class
1. (Marx) -"The class which has the means of material production at its disposal has control at the same time over the means of mental production, so that thereby, generally speaking, the ideas of those who lack the means of mental production are subject to it."
2. (Medhurst, 1998)  “Stereotyping becomes ideological the moment it stops being simply a method of description and becomes a vehicle for values."
3. (Medhurst, 1998) “They are awful because the are not like us.”

Youth :
1. (Stanley Hall, 1904), “Youth must have excitement and if this is not at hand in the form of moral intellectual enthusiasms it is more prone to be sought in sex or drink
2. (Osgerby, 1998), “Crime, violence and sexual licence have been recurring themes in the media’s treatment of youth culture, the degeneracy of the youth depiction as indicative of a steady disintegration of the UK’s social fabric”
3. (Medhurst, 1998), “They’re awful because they’re not like us
I have used quite a rebellious styling on some of the pages and had a unique look which supported these theories.

Disability :
1. (Jordanova, 1989), The idea of otherness is complicated, but certain themes are common: the treatment of others as more like an object, something to be managed and possessed, and as dangerous, wild, threatening. At the same time, the other becomes an entity whose very separateness inspires curiosity, invites inquiring knowledge.”
2. (Jessica Evans, 1998) “Whites are not called to think about themselves as Whites but only other people as non-White…the power of non-disabled people lies hidden while the representation spotlight i.e. what is made visible to the viewing audience is focus on the impaired body.”
3. (Evans, 1998),“Disabled people are seen as childish, dependant and underdeveloped and are regarding as ‘other’ and are punished by being excluded from ordinary life. Thus popular images and rhetoric of disabled people abound which comfort us with people who are imperfect, helpless, disgusting, shitty, dribbling – a threat to rigid ego boundaries. During the socio-developmental process of infancy, a range of strict rules of decorum involving standards of privacy, decency and dignity effect a representation of these activities as taboo…therefore images of disability which cause unpleasure to the self simply be representing that expelling as already complete. We become literally alienated from (and cannot identify with) the object/person we observe.”
I am not aiming at a disabled audience so am not using any disabled models that represent the audience.

Race :
1. (Sarita Malik, 1998), The word ‘race’ in the cultural and political terrain has almost universally been aligned with Black and Asian people, as though they are the only racial groups that ‘own’ an ethnicity… Whiteness has been naturalized, as though it is an invisible ‘norm.’"
2. (Staurt Hall, 1981) “You simply have to look at the programme with the set question in your mind: Here is a problem, defined as ‘the problem of immigration.’ What is it? How is it defined and constructed through through the programme? What logic governs its definition? And where does the logic derive from?...The logic of the argument is immigrants=blacks=too many of them=send them home. This is racist logic.”
3. (Alvarado, 1987) "The minorities can be portrayed in four ways: Exotic, Dangerous, Humorous and Pitied."
I am using white models because this theory states that whiteness in the media has been naturalised.


Regional Identity
1. (Andrew Higson, 1998) Identity is generally understood to be the shared identity of naturalized inhabitants of a particular political-geographic space – this can be a particular nation or region.
2. (Higson 1998): Film like Trainspotting (1995) deal with quite specific cultural traditions, including working class traditions, youth traditions, all of which can be subsumed under the umbrella term Britishness.

3. (Benedict Anderson, 1983) The unification of people in the modern world is achieved not by military but by cultural means, in particular the media system enables people (of a nation or region) to feel part of a coherent, meaningful and homogenous community.

Sexuality 
1. (Medhurst, 1998) "Men as screaming queers and their female counterparts butch dykes."
2. (Medhurst, 1998) "They are awful because they are not like us"
I am aiming the magazine at a majority of heterosexuals so am using heterosexual models that don't fit in with the theorised stereotype.

Gender
1. (MacKinnon, 2003) “Men are increasingly and unapologetically objectified, both in terms of erotic spectacle and as targets of advertising for product beyond cars and beers, including many items once thought to be market for women alone
2.(Mulvey, 1975) women are used as “erotic objects of desire for the characters within the screen story, and as erotic objects of desire for the spectator within the auditorium.”
3. (Osgerby, 2003) “Consumer practice developed as a pre-eminently feminine province”\
I've used attractive models to appeal to the audiences.



Friday, 12 December 2014

Professional Music Photographers


The first music photographer I found that I liked is Austin Hargrave who has photographed many celebrities and musicians. Austin Hargrave is from Manchester in England but is now based in Los Angeles. His first photography job was for his local photographer and he had to develop lots of roll of black and white film by hand. I think his photographs are very relaxing and unique compared to other photographer's, I also really like the fact that he doesn't often use a studio. Here are a few of his photographs of musicians:

  

 





 

The next photographer I liked is a very classic and well known music photographer called Baron Wolman. Baron has been photographing musicians on and off stage since 1965 and has photographed some of the most iconic musicians and musical events of all times including Jimi Hendrix, The Who, Janis Joplin and Jim Morrison. His career with The Rolling Stones is what got him famous as he produced very good photographs of the musicians of the time. He is also well known for his photographs of the Woodstock festival which was a festival for young adults (mainly hippies) and many of his Woodstock images are very iconic. I like Wolman's photographs because they show two sides to the artists, the relaxed and personal side and the onstage side. I also like the fact that these were all shot on Black and White Films cameras so it is amazing that the images turned out the way they did without him looking at them immediately  after like we can with digital cameras.Here are some images by Baron Wolman:

 
    
 

Saturday, 6 December 2014

Researching Shot Types

There are many different shot types that are used in photos and videos that give many different looks. I have researched the different shot types and recreated each one in a video, these are screenshots of the shot types I had in the video.
 Extreme long shot, taken a long way from the subject, used mainly to show the scenery and the subject of the photograph clearly.
 Long shot, taken closer than an extreme long shot, usually shows the whole person in the photo/video to show clothing and some scenery.
 Medium long shot, shows about three quarters of the person usually from the knees up to show mise-en-scene and subject clearly.
 Medium shot, from the waist up, shows the subject clearly but also gives some scenery.
 Cut in shot, shows a part of the subject in alot of detail, to get full attention for one part.

 Close up shot, usually of the subjects face, close to show the facial expression so the audience knows how the subject is feeling, can be head and shoulders or just head.
 Extreme close up, to show detail in a specific part of the subject's face, usually the eyes, and creates drama.
 Worm's eye, view of the subject from the ground to make the subject seem giant and superior and shows just sky as the background.
Low angle, from any where below eye line looking up at the subject, used mainly to give the audience an inferior feeling and shows mainly sky as the background.
 High angle, from above the eye line, makes the subject look less powerful and shows more scenery as the background.









Birds eye view, from directly above the subject makes the subject seem insignificant and unrecognisable to the audience by showing whats all around the subject.

Thursday, 4 December 2014

Researching Photographic Lighting


Lighting is very important when it comes to studio photography and can give photographs different looks and moods. I haven't got a lot of experience with studio lighting and studio photography so I am going to watch a youtube tutorial and explain what it contains.


https://www.youtube.com/watch?v=NNA5-FMhBYo

In this tutorial he uses an octagonal soft box which due to its size and two layered diffuser gives a smooth soft light.

The first positioning of the soft box shown is one where the model is sat on the floor and the soft box is to her left but above her so the light is angled slightly downwards to allow the light to illuminate her. The higher angle to the side gives a more natural shadowed look to the model as it is similar to when the sun shines down and gives shadowing to one side of the face.

The second positioning is with the octagonal soft box behind the model and a smaller soft box in above and to the front of the face to illuminate the face. The octagonal soft box behind the model works as a hair light and as a perfectly white background. To achieve the best results you need to adjust the settings on both soft boxes so that the brightness settings are equal. This gives you a really nice close up portrait image but sometimes leaves a shadow under the chin which can be quite dark and distracting compared to the rest of the photo. This means that you will need to use a reflector to hold below the frame as seen in the screenshot. The reflector will reflect light from the soft box to the shadowed area and make the image seem brighter.


The next tutorial explains a lot about the classic traditional 3 point lighting method that you can use to give different looks and moods.

In front and to the model's left you will find a key light, this is the main light that will illuminate the face. The fill light is the light in front and to the model's right this light fills in the shadowy area and balances the key light. You can adjust the fill light to intensify shadows or flatten the image. The last light is called a hair light and it casts a light between the background and the model to achieve a more separated look by accenting the hair and outline of the model. The hair light is usually above the model pointing downwards like a spotlight but can also be used at the same height of the model but at an angle (usually the key light side) behind the subject to achieve backside rim lighting. This highlights the back/side of the model and gives a lot more depth to the photo.


http://aaroncourts8098.blogspot.co.uk/2013/10/researching-photographic-techniques.html
http://www.fotobaron.com
http://austinhargrave.com